84 male and 132 female skeletons were found within the town of Catal Huyuk.
Ochre-filled shells were found in the women’s entombments, as well as obsidian mirrors, coloured beads, and other personal ornaments.
Machetes, arrowheads and sickle blades were among the many weapons that men were buried with despite their lack of personal adornment.
Women and children make up the vast majority of those interred, and there are very few people in their middle years among those who are buried.
Despite the differences in the sizing of houses, they are all constructed using the same rectangular plan. In order to get around, people had to traverse the town’s rooftops, which were stacked one on top of the other.
The houses were built in terraces, which meant that the roofs varied in height as they rose up the slope of the mound. Catal Huyuk ended with a solid blank rather than a street or even a few open spaces between houses. Huyuk’s design and architecture are stereotypical. Fortresses were unnecessary because the shaped mud-brick houses, sometimes reinforced with wooden frames, stood on mud-brick foundations and were uniformly one-story. From a distance, it would have resembled many modern-day New Mexican adobe settlements.
Fortifications of up to 12-foot (3.5-meter) walls and at least one 30-foot (9-meter) tower were in place by around 7500 BC. There are sculptures of human heads in the fortifications, which are even more impressive. It is possible that these were placed on top of graves, where the body was buried and the head was preserved.
Using human skulls, the flesh was restored with tinted plaster, and the eyes were made with seashells. The modelling is astoundingly good, and at times it shows a keen awareness of the subtle differences between skin and bone. Even if it’s just a hunch, it’s possible that this is a deliberate attempt at portraiture, given the subtlety and uniqueness of the features (one even has painted moustache).
The Catal Huyuk artefacts, on the other hand, date from much later.